Do you use a journal when you are writing? Do you find long-hand writing helpful? I have been using a writing journal for a long time, but my journal is a complex work space — and it can be a disaster. It is filled with the hundreds of issues, connections, successes and visions that go into my creative writing. My journal is a historical snapshot of my thinking and learning at any given moment. The more intense and focused I am, the more I write in my journal. This is my work world, this is where connections are made, research and quotes are entered. It is where I store new ideas and feed them along.
First let’s just be clear about the journal. It is a place to write when you aren’t writing. That idea sounds silly, but I believe journals are private places to make mistakes, create an ideas, let them crash. It is a place to think and not worry about the world outside. For me, it is an electronic document. It is a running document with the date. I write what I am doing and thinking in terms of my creative writing and influences. It is aesthetically more pleasing to write in a nice leather bound journal and keep them as an artifact on your shelf. I have some of those (I wrote an entire novel that way), but they aren’t practical. You can’t copy and paste your ideas into your current work-in-progress, you can’t key word search five years of creative thinking. Some even use hashtags to organize and connect material together.
I have termed my journals and my thinking in this space “journals of disasters.” These entries are all the things I’ve been thinking about, puzzling over, and eventually formulating into creative projects. They aren’t magical at all. Some are slightly concerning tirades over something I am working on. But in the end, they are part of the process. If I can’t write, I write about why I can’t write — and do it in my journal. Typically, after a few minutes of journal writing, I can shift. I have written whole chapters in my journal and then copied them into my work-in-progress because I went from thinking to creative writing. I also mark important passages from books I am reading, important articles, and quotes that I may need. Sometimes, I want to capture my initial reaction to a book before I lose touch with it. Sometimes, I just think of an idea and stick it in there to go back and find later. All my writing life can be connected back to this space. This is the place where accidents, failures, and vision of creativity are mine alone.
The Secret Chamber of Creativity
Isolation and privacy are stereotypes of being a writer. Some of the best project I’ve worked on have been among good writers and editors. But I think this creative journal is very personal and very private. Writers need private spaces to write. They need to say things for the first time on their own terms. If the journal is a place for your own thinking, then it should be your private vision of the worlds you are creating. We live in a social media driven life where posting pictures of your meals, capturing social currency with friends, and making a video in your car is a might go viral. If you follow the hash tag #writingcommunity on Twitter, you will find people talking about their writing, polling other writers, and prompting their books. That is marketing, that is socializing; that is not deep thinking and creative intimacy. What is in your journal is a private matter. You will eventually reveal your work to the world, but they don’t have to see what was left aside, they don’t have to see your rough drafts, your fledgling ideas. Hemingway was very private about his process. He thought the book in your hand was all you needed to know about his creativity. I need to create in a personal and private space. I need to open my creative visions in a place where I won’t be judged, where I feel safe, and where I feel like the creative person I imagined. That is not on social media, that is not in writing conferences, not in classrooms, it is not in public spaces (digital or physical), but in a journal, in a closed document, within my creative purview.
Social media is marketing tool to sell our creativity, but it isn’t a place to foster it, to begin the creative expression. Writers are born when they sit down and earnestly begin telling their stories. To be a storyteller, writer, creative thinker, you need the freedom to write in a space where deep thinking and your vision can flourish. Socrates said “The unexamined life is not worth living.” As writers and creative artists, I believe that the process and the history of that vision isn’t wasted. Journals are not for everyone, but it can be part of the complex act of writing a novel, a story collection, or connected project. And we need to alone. We need to define our story, then let other people influence it and suggest changes. But it starts alone, as a writer.
Being alone for a writer shouldn’t be unsettling. But it can be isolating. That is what is required of anyone who needs to create. Creativity is a solitary, contemplative world. We are afraid of that word because we feel like that could become a permeant state. We are afraid of disappearing and being lost. But that is what is required. Alone, you must find all those stunning disasters and occasional epiphany we call stories. These are places where the artist and the words create emotion, vision, and redesign the world. It isn’t a public examination, but a private and constant reminder that art is worth creating. The emotional cost of creativity is that we can share that emotional purpose with other people. We can live different lives, and connect them with other people. It takes patterns, reading, disciple. It takes someone who is brave enough to write when it is the last thing they want to do. Some day, it might be the only thing you need to feel alive.
Check out more writing and ideas at www.RonSamul.org
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