When Things Disappear: Books On Memory and Loss

I’ve noticed an emerging theme. In the last six months I have read books that deal with the disappearance of things. In some cases, the lost things are things we never thought we could lose. In other cases, it is the act of losing that is so devastating. These books have been fascinating and terrifying all at once. Here is a look at some of these books and why this type of idea is emerging in literature. 

The oldest book in the group is a very innovative and probably the most upbeat book titled Ella Minnow Pea, by Mark Dunn (2002), the deals with the disappearance of language. In the book is described as “a girl living happily on the fictional island of Nollop off the coast of South Carolina. Nollop was the named after Nevin Nollop, the author of the immortal phrase containing all the letters in the alphabet, ‘The quick brown fox jumped over the lazy dog.’  Now Ella finds herself acting to save her friends, family, and fellow citizens from the encroaching totalitarianism of the island’s Council, which has banned the use of certain letters of the alphabet as they fall from a memorial statue of Nevin Nollop. As the letters progressively drop from the statue they also disappear from the novel. The result is both a hilarious and moving story of one girl’s fight for freedom of expression, as well as a linguistic tour de force sure to delight word lovers everywhere.” This book not only shows the absurdity of how we define rules and social construcut, but it also physically oppresses the reader. Each letter that is dropped from the language, gets dropped from the prose, making it harder and harder to understand. Until it becomes absurd, it feels complicated and oppressive. This brilliant short read feels like a silly parable, but the implications of the novel are deep and meaningful in terms of who makes the rules, who follows them, and the absurdity of principle over common sense. 

Avid readers tend to read a lot of books and many of them are the same. If you read genre murder/mystery novels then you come to expect some of the same common techniques and elements in these books. Novels and stories that stick out to me are the novels that innovate. They aren’t experimental, but they do something I’ve never seen before in a novel or in the genre. Sometimes, that is just a small element of the story. Sometimes, it is the whole book. The Book of M by Peng Shepherd (2018) is a novel that innovates in many different ways. Not only does this book innovate in terms of plot and conflict, it also uses language in innovative ways to close the gap between the unthinkable and the possible. In Alison Walkers review of the book, she describes it as this: “What if your shadow inexplicably held memories? And what if, one day, shadows began to disappear? One day in a busy Indian market a man’s shadow disappears, and with it his memories begin to unravel. Soon, the affliction spreads across the world, as more and more people slowly lose their memories—and with them their ability to reason. We see this catastrophe unfold through the eyes of Ory and his girlfriend, Max, who have gone into hiding in an abandoned hotel. When Max loses her shadow and disappears into the forest, Ory pursues her and heads south, hoping to find Max before she forgets him.” The ideas and language in the novel are so innnovative and compelling that the novel seems like the only place that this idea can happen. While this book has been optioned to the screen (or television), it will be very difficult to handle the range of loss and vision without the narrative and language in the novel. The book is always better, but in this case, the best parts of the novel can never be captured by visuals on the screen. That being said, the loss here is fascinating, overwhelming, and catastrophic. As a result, everything is at stake and the book is filled with the tension of complete calamity, personally, universally, across all realms of thought and feeling. This book is innovative and so exciting to read. And the sense of loss is complete in its effect on the reader. 

The last book on our tour of things lost, is The Memory Police by Yoko Ogawa (2019). This book not only considers the loss of things to our memory, but it also implies that there is a task-force that enforces that loss. While all these books could fall in and out of dystopian literature, this one feels the most oppressive. The book is explained here: “On an unnamed island off an unnamed coast, objects are disappearing: first hats, then ribbons, birds, roses – until things become much more serious. Most of the island’s inhabitants are oblivious to these changes, while those few imbued with the power to recall the lost objects live in fear of the draconian Memory Police, who are committed to ensuring that what has disappeared remains forgotten. When a young woman who is struggling to maintain her career as a novelist discovered that her editor is in danger from the Memory Police, she concocts a plan to hide him beneath her floorboards. As fear and loss close in around them, they cling to her writing as the last way of preserving the past.” This book feels like the dystopian classics, but also has a pointed and ironic sense of our contemporary times of authoritarian vision of oppression in a interconnected vision of being seen through the eyes of the technology and systems. 

Over the course discovering these novels, I found a vision for dystopian novels and ideas. The layers of self-reflected irony is often an element that adds meaning and empathy in a novel. It is clear that classic dystopian novels have meaning because they are close to the surface of our vision of society, relationships, government, and power. Orwell’s 1984 is still a stunning vision. And we often feel like we are moving closer to it rather than moving away. There is also The Handmaid’s Tale by Atwood (now a television series), which envisions the darkest places in a society ruled by pain, suffering, and authority. Yet in these three novel, there is a sense that loss isn’t about moving through things that you can’t have, but the existential precipice around the idea that you may never know you had them to begin with. And that power, that fear of forgetting, or letting something go because it doesn’t mean anything any more is where the fear and anxiety derive. 

Is the world shaping these ideas through our vision of the world? Authoritarianism, war, refugees, and environmental disasters have shaped the last fifteen years. And with it has come a different way of seeing the world. But I also think technology has eroded the way we interact in the world. I think technology and the vision of the world is better. But, it also feels like technology is also scrubbing our brains from the act of deep thinking and retaining long term memories. That is not to say people don’t do these things, but we are pushed and shoved along the information highway and we are moved along from one devastating idea or construct to the next. We all know the exhaustion of just being overwhelmed by what is happening. That is also taking a toll on how we see the world. And perhaps these novels are a result of that idea. 

These novels represent some amazing innovation in writing. This article is meant to highlight these fascinating book around theme of memory and loss. But as a writer and someone who is constantly looking for innovation in novels, these book matter. In the end, these visions of what is possible should strike a chord. In terms of writing, we should be looking for the social messages that are woven in these novels. Writing novels are fascinating because they are complex and each element within the book has to connect with another. That being said, without context or memory, we couldn’t read novels. We couldn’t remember how parts connect (or who committed the crime), and these novels remind us through the innovation of memory, there is the unfathomable idea that we could, unknowingly, let it all slip away. 


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Poetry Review: Before the Big Bang Makes A Sound

by Carolynn Kingyens

Publisher: Kelsay Books
ISBN: 978-1-950462-69-8

In a stunning debut Before the Big Bang Makes a Sound, Carolynn Kingyens unravels a modern day dialogue between those things we savor and those things we despise in ourselves. The collection of poetry is all at once a still life to understanding the complexity of the past and present woven in lyrical phrases, vivid moments of tactile emotion. This collection feels like snapshots across a postmodern canvas capturing a woven vision of the world that shapes a new paradigm and then builds around new ideas and visions. From lost memories to moments on the train – the poetry shifts and moves across texture, thought, and social construct like a serenade begging the world to slow down. There is something sweet, something new, and something truthful in places not expected. 



In the poem The Abyss, it demonstrates the dynamics of her language to that of leaving the reader in the desire of the moment. The poem starts with a woman who sparks Nietzsche’s warning: And when you gaze long / into an abyss, the abyss gazes also into you. The poem then takes its time meandering away from this vision of warning and foreboding and into moments of stunning clarity and interconnectedness. 

In New York, 
we have salves, oils, 
candles and trinkets – 
a cure-all for bad vibes, 
the evil eye, 
generational curses. 

And then develops into instances that are pulling back from the abyss and into the web of interconnections. Kingyens has mastered the balance between imposing a vision of the world and seeing it acted out unexpected ways. 

Today, I will meditate 
on Muhammad – 
the kind bodega owner 
who calls Lucy, 
his sweet tabby, 
up from the dark cellar, 
where she’s been sleeping
or killing, 
so my daughters
can pet her;
so my daughters 
can smile. 

Kingyens builds tension with thoughtful and tactile visions of a world that is constantly in flux, dancing on the edge of kind bodega owner, a cat, those happy daughters. The passage of time is measured in the opening of this poem with the “Once on the A-train,” marking the past. “Today, I will meditate” marks the present moment in time. And then towards the end of the poem, we have time pushing out in a hopeful vision, away from the void with “Tomorrow I will open my eyes …” This arc of time across this verses are a striking compass of time and methodology that moves the reader away from the void into a new hope – a “new morning.” 

I will turn and marvel 
at your eclipsed soul-body
still sleeping”

This collection is rich with thought provoking ideas that pry into the complex modern way of life, while bearing credence to the unseen shifting of time, memories, passion, and uncertainty. This kind of poetry makes it possible to live in a complicated and harried life, and still believe in the metaphysical vision of the world. Kingyens has created a poetic serenade that pulls us away from what seems random and apathetic, and draws us into poetic compassion and understanding. Before the Big Bang Makes a Sound is a stunning vision of our haphazard lives, pulled back from the abyss by lyrical vision, irony, faith, and the desire to connect.   — December 2019


Available through the publisher and Amazon.com

Pride of Eden by Taylor Brown / Book Review

What happens when environmental activism and the passion of a group of outsiders come together? Taylor Brown explores this idea in his book Pride of Eden, as we move closer and closer to the cataclysm that is our natural disaster. It is clear that not only is this a political and social issue, but is now finding its way into fiction. And no one is better suited to take on this task then Taylor Brown and his visionary style that merges melodious prose with the stark reality of our natural calamity. This novel examines the extremes of protecting apex predators and the people who live on the edge to save them. Wrought in stunning vision of the natural world and the tainted reality that has oppressed the great animals that are now prey to poachers, land development, the black market, and hunting fanatics. 

Anse Caulfield is a retired racehorse jockey and Vietnam veteran who rescues exotic big cats, elephants, and other animals to bring them to his wildlife sanctuary Little Eden on the Georgia coast. When his prized lion escapes and meets a tragic end, Anse becomes obsessed with filling the void in his life. He is joined by other outcasts and animal activists. Malaya, a former solider who spent time in Africa hunting poachers, comes to the sanctuary with a vision of helping Anse fulfill his dream. A few others join the team, a veterinarian and a falcon expert spend time in this strangely idyllic and sometimes frightening world. Among the great lions, ancient crocodiles and other exotic animals, it is clear that the sanctuary is the only place for these souls to comprehend what is happening and what they can do for these animals. Each of these well developed characters has a primordial sense of the world that they are trying to restore. They see the world through the eyes of their rescued animals. For some it is means taking care of these rare and exotic creatures. For some, it is a more extreme vision. As this team begin to rescue animals, it is clear that they are moving into dangerous territory. 

Taylor Brown has created a visionary sense of a decaying natural world where the apex predators have been cast into sideshows and trinkets for collectors. This band of outsiders, with no place to go but to sanctuary are the vanguard of something lost in a culture that has turned its back on the natural world. Brown uses language to slip between the reality of teeth and claw – to a lost past where the natural apex creatures were mythical apparitions that are all but gone. Moving Brown’s tension filled prose to mythical vistas, this book is very hard to put down. As we herald in an era of environmental extremism, this novel speaks to the men and women who are on the front lines willing to save these beautiful and dangerous animals at any cost. To pull this off Brown has created memorable and deeply moving characters.
Brown’s previous novel, Gods of Howl Mountain remains one of my personal top picks last year. Pride of Eden is another epic novel that draws you into the fears and hopes of people living on the edge of the world. Once again Brown proves that this is a great place to tell compelling and visionary stories. 

Pride of Eden: A Novel
Taylor Brown
St. Martin’s Publishing Group
288 Pages
ISBN 9781250203816
Available March 2020

Review for Gods of Howl Mountain


Ron Samul is an award winning author and educator. His novel The Staff is available on Amazon and Barnes & Noble.